« Radical feminism » : différence entre les versions

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[[File:MacKinnon.8May.CambridgeMA.png|thumb|[[Catharine MacKinnon]]]]
[[File:MacKinnon.8May.CambridgeMA.png|thumb|[[Catharine MacKinnon]]]]


Radical feminists, notably [[Catharine MacKinnon]], charge that the production of pornography entails physical, psychological, and/or economic [[coercion]] of the women who perform and model in it. This is said to be true even when the women are presented as enjoying themselves.<ref group=note>MacKinnon (1989): "Sex forced on real women so that it can be sold at a profit to be forced on other real women; women's bodies trussed and maimed and raped and made into things to be hurt and obtained and accessed, and this presented as the nature of women; the coercion that is visible and the coercion that has become invisible—this and more grounds the feminist concern with pornography."{{sfn|MacKinnon|1989|p=196}}</ref><ref>MacKinnon, Catherine A. (1984). "Not a moral issue". ''Yale Law and Policy Review'' 2:321-345.</ref><ref name="pbs.org">{{Cite episode| title = A Conversation With Catherine MacKinnon (transcript)| series = [[Think Tank]]|network= PBS| year = 1995| url = https://www.pbs.org/thinktank/transcript215.html}}</ref><ref name=stanford-shrage>Shrage, Laurie (13 July 2007). [http://plato.stanford.edu/entries/feminist-sex-markets/#Por "Feminist Perspectives on Sex Markets: Pornography"]. In ''[[Stanford Encyclopedia of Philosophy]]''.</ref> It is also argued that much of what is shown in pornography is abusive by its very nature. [[Gail Dines]] holds that pornography, exemplified by [[Point of view pornography|gonzo pornography]], is becoming increasingly violent and that women who perform in pornography are brutalized in the process of its production.<ref group=note>Dines (2008): "The porn that makes most of the money for the industry is actually the gonzo, body-punishing variety that shows women's bodies being physically stretched to the limit, humiliated and degraded. Even porn industry people commented in a recent article in Adult Video News, that gonzo porn is taking its toll on the women, and the turnover is high because they can't stand the brutal acts on the body for very long." See: {{cite web| last1 = Dines| first1 = Gail| title = Penn, Porn and Me| work = [[CounterPunch]]| date = 23 June 2008| url = http://www.counterpunch.org/dines06232008.html| url-status = dead| archiveurl = https://web.archive.org/web/20090330143944/http://www.counterpunch.org/dines06232008.html| archivedate = 30 March 2009}}</ref><ref>Dines, Gail. (24 March 2007). "[http://video.google.com/videoplay?docid=5003155114018800220# Pornography & Pop Culture: Putting the Text in Context]", ''Pornography & Pop Culture - Rethinking Theory, Reframing Activism''. Wheelock College, Boston, 24 March 2007.</ref>
Radical feminists, notably [[Catharine MacKinnon]], charge that the production of pornography entails physical, psychological, and/or economic [[coercion]] of the women who perform and model in it. This is said to be true even when the women are presented as enjoying themselves.<ref group=note>MacKinnon (1989): "Sex forced on real women so that it can be sold at a profit to be forced on other real women; women's bodies trussed and maimed and raped and made into things to be hurt and obtained and accessed, and this presented as the nature of women; the coercion that is visible and the coercion that has become invisible—this and more grounds the feminist concern with pornography." See: MacKinnon 1989, p. 196</ref><ref>MacKinnon, Catherine A. (1984). "Not a moral issue". ''Yale Law and Policy Review'' 2:321-345.</ref><ref name="pbs.org">{{Cite episode| title = A Conversation With Catherine MacKinnon (transcript)| series = [[Think Tank]]|network= PBS| year = 1995| url = https://www.pbs.org/thinktank/transcript215.html}}</ref><ref name=stanford-shrage>Shrage, Laurie (13 July 2007). [http://plato.stanford.edu/entries/feminist-sex-markets/#Por "Feminist Perspectives on Sex Markets: Pornography"]. In ''[[Stanford Encyclopedia of Philosophy]]''.</ref> It is also argued that much of what is shown in pornography is abusive by its very nature. [[Gail Dines]] holds that pornography, exemplified by [[Point of view pornography|gonzo pornography]], is becoming increasingly violent and that women who perform in pornography are brutalized in the process of its production.<ref group=note>Dines (2008): "The porn that makes most of the money for the industry is actually the gonzo, body-punishing variety that shows women's bodies being physically stretched to the limit, humiliated and degraded. Even porn industry people commented in a recent article in Adult Video News, that gonzo porn is taking its toll on the women, and the turnover is high because they can't stand the brutal acts on the body for very long." See: {{cite web| last1 = Dines| first1 = Gail| title = Penn, Porn and Me| work = [[CounterPunch]]| date = 23 June 2008| url = http://www.counterpunch.org/dines06232008.html| url-status = dead| archiveurl = https://web.archive.org/web/20090330143944/http://www.counterpunch.org/dines06232008.html| archivedate = 30 March 2009}}</ref><ref>Dines, Gail. (24 March 2007). "[http://video.google.com/videoplay?docid=5003155114018800220# Pornography & Pop Culture: Putting the Text in Context]", ''Pornography & Pop Culture - Rethinking Theory, Reframing Activism''. Wheelock College, Boston, 24 March 2007.</ref>


Radical feminists point to the testimony of well known participants in pornography, such as [[Traci Lords]] and [[Linda Boreman]], and argue that most female performers are coerced into pornography, either by somebody else, or by an unfortunate set of circumstances. The feminist anti-pornography movement was galvanized by the publication of ''Ordeal'', in which Linda Boreman (who under the name of "Linda Lovelace" had starred in ''[[Deep Throat (film)|Deep Throat]]'') stated that she had been beaten, raped, and [[pimp]]ed by her husband [[Chuck Traynor]], and that Traynor had forced her at gunpoint to make scenes in ''Deep Throat'', as well as forcing her, by use of both physical violence against Boreman as well as emotional abuse and outright threats of violence, to make other pornographic films. Dworkin, MacKinnon, and Women Against Pornography issued public statements of support for Boreman, and worked with her in public appearances and speeches.<ref>Brownmiller, ''In Our Time'', p. 337.</ref>
Radical feminists point to the testimony of well known participants in pornography, such as [[Traci Lords]] and [[Linda Boreman]], and argue that most female performers are coerced into pornography, either by somebody else, or by an unfortunate set of circumstances. The feminist anti-pornography movement was galvanized by the publication of ''Ordeal'', in which Linda Boreman (who under the name of "Linda Lovelace" had starred in ''[[Deep Throat (film)|Deep Throat]]'') stated that she had been beaten, raped, and [[pimp]]ed by her husband [[Chuck Traynor]], and that Traynor had forced her at gunpoint to make scenes in ''Deep Throat'', as well as forcing her, by use of both physical violence against Boreman as well as emotional abuse and outright threats of violence, to make other pornographic films. Dworkin, MacKinnon, and Women Against Pornography issued public statements of support for Boreman, and worked with her in public appearances and speeches.<ref>Brownmiller, ''In Our Time'', p. 337.</ref>